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Masseria Ferarelli
The Citrus Grove Arab Garden (Čahār Bāgh)

January 12, 2026

The Citrus Grove Arab Garden (Čahār Bāgh)

Our Citrus Grove takes its inspiration from the canons of the Arab Garden, seen as the expressive quality of the land brought out through human care, embracing the themes of water and shade. Its most recognisable architectural feature reflects the quadrilateral layout of the Charbagh (in Persian, "čahār" means 'four' and "bāgh" means 'garden'), with four smaller sections divided by paths. The number four and its multiples are constants in the planning and making of an Arab Garden. Unlike the English landscape garden and the Italian formal garden, often designed for strolling, the Arab or Persian Garden is meant for rest, reflection and contemplation. One of the main aims of the Persian or Arab garden is to offer a sensory experience that goes beyond sight, created through the scents and fragrances of its plants and the skilful use of water, aromatic herbs and flowers.

The king of plants in an Arab Garden is citrus. The Arabs first brought the melàngolo (Citrus × aurantium, also known as bitter orange) to Sicily during the 10th and 11th centuries. This period marks the beginning of a steady spread of citrus growing across Southern Italy. Citrus trees – with their green leaves and fragrant white blossoms – were highly sought after to beautify and perfume the garden. For millennia the whole of Southern Italy has been a meeting point of different cultures, and the widespread presence of citrus and of this type of garden is a tangible sign of the influence of Eastern culture, which placed great value on the landscape as a primary good for human physical and mental well-being.

Created in 2022, our Citrus Grove - Arab Garden covers an area of about 500 m² and follows the canons of the Charbagh. In keeping with this layout, our Arab garden is a quadrilateral divided into four parts by stone walkways made from different types of local stone (Pietra di Cursi or Pietra Leccese, Carparo di Gallipoli, Tufi di Cutrofiano). Besides being a typical local stone, the stone used for the walkways was chosen because it is very porous and lets rainwater drain quickly into the subsoil, to the benefit of the plants in the garden.

At the centre of our Arab garden we have built an octagonal greenhouse, a geometric figure widely used as an Eastern decorative motif. The octagon is an ancient theme in the symbolism of the spiritual and religious world, because it is linked to astronomical factors and natural rhythms, because it is an emblem of the sun, and finally because the eight-petalled rose has been regarded since the most ancient cultures as the symbol of the Mother Goddess.

Its geometric and mathematical properties, in particular the golden ratio linking chord and arc in an octagon inscribed in a circle, not only underline its symbolic meanings but also make it a particularly harmonious and pleasing figure in architecture.

In terms of perspective, the 4 walkways of the garden converge on the central greenhouse, specifically:

On the East > West axis, the garden is entered through a stone doorway; the path crosses the greenhouse and ends at the west wall of the quarry, where we have carved out a fountain recalling the shapes of an Eastern fountain, providing the play of water that is another hallmark of an Arab garden;

On the North > South axis, the walkways continue outside the greenhouse, creating a small footpath of vistas and glimpses that immerses visitors in a sensory atmosphere of harmony and relaxation.

The four sections of the garden created by the stone walkways each hold eight trees of old citrus varieties from Sicily, Calabria, Apulia, Basilicata and Campania. In total we have planted 32 trees in the garden + 6 in pots, belonging to 32 citrus varieties from all over Southern Italy. Our Arab garden was designed to make the most of rainwater, which is collected from the various adjacent roofs and building surfaces and channelled through a system of pipes beneath the walkways, to the benefit of the plants.

The Citrus Grove Arab Garden (Čahār Bāgh) (4)
The Citrus Grove Arab Garden (Čahār Bāgh) (5)
The Citrus Grove Arab Garden (Čahār Bāgh) (6)
The Citrus Grove Arab Garden (Čahār Bāgh) (7)
The Citrus Grove Arab Garden (Čahār Bāgh) (8)

The Citrus Grove - Arab Garden of Masseria Ferarelli Trepizzi is in Apulia, in Salento, and was created in part of the old quarry. It is laid out on a North-South axis and sheltered from the wind on all 4 sides as follows:

- from northerly winds it is protected by the rock face of the quarry and by the masseria building, for a total height of about 6 m

- from East - North-East winds by a dry-stone wall of about 2.5 m

- from West - North-West winds by the rock face of the quarry and the dry-stone boundary wall, for a height of about 4.5 m

- from southerly winds by a low wall of about 1.50 m topped by a row of olive trees and by the vegetation of our Mediterranean Garden.

In this way our Citrus Grove - Arab Garden is sheltered from the bothersome cold winds from the north, while benefiting from the warm, humid winds from the south.

Our Citrus Grove - Arab Garden is home to 38 citrus trees, divided as follows:

32 Trees in the Ground:

- 6 Tarocco dal Muso Orange (Citrus x Sinensis)

- 1 Ovale Calabrese Orange (Citrus x Sinensis)

- 1 Moro Orange (Citrus Sinensis)

- 1 Sanguinello Orange (Citrus x Sinensis)

- 1 Vaniglia Orange (Citrus Sinensis)

- 1 Tarocco Orange (Citrus Sinensis)

- 1 Navelina Orange (Citrus x Sinensis)

- 1 Valencia Orange (Citrus Sinensis)

- 1 Newhall Orange (Citrus x Sinensis)

- 1 Washington Orange (Citrus Sinensis)

- 1 Bergamot (Citrus x Bergamia)

- 1 Citron (Citrus Medica)

- 1 Maxima Citron (Citrus Medica)

- 1 Buddha's Hand Citron (Citrus Medica)

- 1 ISA Clementine (Citrus Clementine)

- 1 Lime (Citrus × Aurantiifolia)

- 1 Femminello Siracusano Lemon (Citrus Limon)

- 1 Lunario Lemon (Citrus Limon)

- 1 Zagara Bianca Lemon (Citrus Limon)

- 1 Verna Lemon (Citrus Limon)

- 1 Eureka Lemon (Citrus Limon)

- 1 Sanguinello Lemon (Citrus Limon)

- 1 Avana Apireno Mandarin (Citrus Reticulata)

- 1 Mapo (Citrus × Tangelo)

- 1 Pomelo (Citrus Maxima or Citrus Grandis)

- 1 Grapefruit (Citrus x Paradisi)

- 1 Pink Grapefruit (Citrus Paradisi)

6 Potted Trees

- 1 Chinotto (Citrus myrtifolia)

- 1 Limequat (Citrus floridiana)

- 1 White Caviar Lime (Microcitrus australasica)

- 1 Red Caviar Lime (Microcitrus australasica)

- 2 Kumquat or Chinese Mandarin (Citrus japonica)

The ground beneath the trees has been grassed with a mix of seeds typical of the wild Mediterranean meadow

The following ornamental plants have also been planted

Hyacinths in various colours in the 4 niches in the wall

Lemon Verbena (Aloysia citriodora)

4 Hibiscus (Hibiscus rosa sinensis) around the greenhouse

Irises in various colours (Iris) on the embankment at the foot of the olive trees on the south side

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Tobacco Growing at Masseria Ferarelli Trepizzi

Tobacco Growing at Masseria Ferarelli Trepizzi

Thanks to a climate with very favourable weather for this kind of crop, Salento, together with the whole Ionian arc of Apulia and Basilicata, was singled out as an area of strategic interest in which to develop tobacco growing. As early as 1812, under the Kingdom of Naples, the first “Salento Leccese Tobacco Factory” was established in Lecce. The History of Tobacco and of the tabacchine – the women who worked in tobacco – in Salento is undoubtedly a milestone in tracing the fortunes of a people with a clearly defined identity. To this day the tabacchine are remembered as a symbol of women devoted to work and family, and of the women's proletarian revolt of the 1900s. Between the First and Second World Wars, my ancestors PAGLIARA GIACOMO FRANCESCO (*02/07/1887 +18/01/1958) and BORLIZZI MARIA CRISTINA (*04/10/1890 +31/12/1974), having learnt how to grow tobacco working for others and as sharecroppers (first in the province of Matera - at Bernalda and Marconia - and then in the province of Taranto - at Sava and Lizzano), decided to start growing tobacco on their own account on the land they owned in the countryside of Diso.

Dry-Stone Walls

Dry-Stone Walls

Dry-stone walls are a distinctive architectural feature of the rural landscape of Apulia and Salento. UNESCO has declared them Intangible Cultural Heritage of Humanity. The art of building dry-stone walls to enclose the countryside of Apulia and Salento has very ancient origins, and it arose for two fundamental reasons: clearing the land of the stones that surfaced in it, and the need to mark out its boundaries. Over the centuries, farming wisdom has learnt to make the most of these structures which, with their minimal impact on the ecosystem, stand as one of the earliest examples of perfect synergy between man and nature. As UNESCO also points out, these particular structures play a vital role in preventing landslides, floods and avalanches, in combating soil erosion and desertification, enhancing biodiversity and creating the best microclimatic conditions for agriculture. Our farmers had understood the importance of these structures and their ability to absorb the night-time moisture and then release it, drop by drop, at their base during the hottest hours of the day. That is why, in the past and still today, many different kinds of plants are set along them: above all fruit trees (especially figs), vegetables, vines... Planted at the foot of the dry-stone walls, they benefit from the constant moisture of the soil beneath all year round. Using the old building techniques and keeping the use of cement to a minimum, at Masseria Ferarelli Trepizzi we have restored and consolidated more than 1000 metres of dry-stone walls, which today form the main boundary of the property as well as the terraces between the different levels of the Mediterranean Garden.

The Pergola with the Cistern

The Pergola with the Cistern

When we decided to recreate the pergola of pizzutella grapes along the well avenue, we never imagined it would turn out like this. Reading here and there about the old techniques for planting pergolas, we had come across a text that wisely set out the best way to make a pergola self-sufficient and productive at the same time, without any particular care or attention. The technique is very simple: let the roots of the vines grow around a constant source of water, or at least of the coolness that comes from the night dew absorbed by the soil. Indeed, if you look closely, our ancestors had already understood this and put it into practice: even today it is not unusual to find pergolas planted next to a cistern, or near the base of a building or a dry-stone wall. Our well avenue and the planting of our pergolas date back to 2015-2016, and right from the foundations the avenue was designed so that the roots of the vines could settle beneath its paving. It was built with as little cement as possible, favouring porous local stones that let water and moisture drain through (above all tufa for the structure and the columns, and carparo for the paving). Photo Gallery: Building the Pergola with the Cistern